Daiane Sodre
$48.00
Daiane Sodre Confessional — Issue N.02
Confessional, Issue N.02 of Women’s Magazine, examines the space between public image and private construction.
Standing at 206 pages, 2.8 lbs, 9.5 × 13 in - The issue is built as a psychological study of visibility, performance, and self-authorship. It explores how identity is shaped under observation and how appearance becomes strategy.
Taylor Hill appears suspended above Manhattan in a hovering helicopter. Daiane Sodre is placed inside a water tank, held between containment and exposure. Alton Mason enters as the magazine’s first male cover model, positioned not as spectacle, but as structure.
Set within New York, the city functions as the underlying architecture of the issue. A place built on reinvention, exposure, and performance.
Confessional does not seek revelation. It studies construction.
Alton Mason - N.02 Confessional
$48.00
Alton Mason Confessional — Issue N.02
Confessional, Issue N.02 of Women’s Magazine, examines the space between public image and private construction.
Standing at 206 pages, 2.8 lbs, 9.5 × 13 in - The issue is built as a psychological study of visibility, performance, and self-authorship. It explores how identity is shaped under observation and how appearance becomes strategy.
Taylor Hill appears suspended above Manhattan in a hovering helicopter. Daiane Sodre is placed inside a water tank, held between containment and exposure. Alton Mason enters as the magazine’s first male cover model, positioned not as spectacle, but as structure.
Set within New York, the city functions as the underlying architecture of the issue. A place built on reinvention, exposure, and performance.
Confessional does not seek revelation. It studies construction.
Taylor Hill - Confessional N.02
$48.00
Confessional, Issue N.02 of Women’s Magazine, examines the space between public image and private construction.
Standing at 206 pages, 2.8 lbs, 9.5 × 13 in - The issue is built as a psychological study of visibility, performance, and self-authorship. It explores how identity is shaped under observation and how appearance becomes strategy.
Taylor Hill appears suspended above Manhattan in a hovering helicopter. Daiane Sodre is placed inside a water tank, held between containment and exposure. Alton Mason enters as the magazine’s first male cover model, positioned not as spectacle, but as structure.
Set within New York, the city functions as the underlying architecture of the issue. A place built on reinvention, exposure, and performance.
Confessional does not seek revelation. It studies construction.
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Featured Products
Confession
This work is issued as a limited edition of ten.
Available sizes:
$3,100.00
Confession is a photographic work by Petros Kouiouris from the Confessional series.
The image is constructed as a controlled visual field in which identity is treated as form rather than narrative.
Confession examines the mechanics of self-presentation.
This work is issued as a limited edition of ten.
Edition 01 of 10.
Available sizes:
40 × 60 in
Jane Bond: The Atomic Blonde
This work is issued as a limited edition of ten.
Available sizes:
$3,300.00
Jane Bond: The Atomic Blonde is a photographic work by Petros Kouiouris from the Confessional series, featuring Taylor Hill.
The image draws on the visual language of espionage, glamour, and constructed authority. Pose and surface are used not to describe a character, but to assemble one.
Jane Bond: The Atomic Blonde considers how power is stylized and how femininity becomes a strategic performance.
This work is issued as a limited edition of ten.
Edition 01 of 10.
Available sizes:
40 × 60 in
Baptism
This work is issued as a limited edition of ten.
$2,900.00
Baptism is a photographic work by Petros Kouiouris from the Confessional series.
The image situates the body within a controlled architectural space, suspended between immersion and emergence. Neither fully submerged nor fully released, the figure exists in a state of psychological tension.
The repeated body operates as both subject and structure. Individual identity dissolves into pattern, transforming the figure into a symbol of initiation, restraint, and exposure.
Baptism does not depict an event, but a condition. A study of the body under pressure.
This work is issued as a limited edition of ten.
Edition 01 of 10.
30 × 45 in